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S7 E7: Gilded Age 2.0

After 40 years of neoliberalism, most Americans of every political stripe agree that the economy is “rigged” in favor of corporations and the wealthy. But we may not know the half of it. 

By John Biewen, with co-host Ellen McGirt. Interviews with Nancy MacLean, Edward Balleisen, Brad DeLong, Marjorie Kelly, and Oren Cass. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. 

"Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

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For some authors, finding their book on a "banned" list can feel almost like an accolade, putting them right there with classics like The Bluest Eye and To Kill a Mockingbird. But the reality is, most banned books never get the kind of recognition or readership that the most famous ones do.

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With Kamala Harris entering the presidential race, we look back at what has shaped her personally and politically —from being the self-described "top cop" of California, to taking on a former president with dozens of felony convictions.

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How the balance of power shifted, for a time, in the decades after World War II, and led to a better kind of capitalism – if you think prosperity being broadly shared is a good thing. 

By John Biewen, with co-host Ellen McGirt. Interviews with Eric Rauchway and Brad DeLong. Thanks to the Studs Terkel Archive at WFMT. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

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For decades now, drag queens have captured the national imagination. Drag kings, on the other hand, have been relegated to a less prominent position in pop culture. But today on the show, we're telling the story of one Elsie Saldaña — aka El Daña. As someone who started performing in drag in 1965, she's now considered one of the oldest drag kings still performing in the U.S. Over the course of her long performance career, many forces have converged that could have stopped her from taking to the stage. But today, almost 60 years after her debut, she hasn't stopped yet.

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An age of invention and mass production, propelled by a new mechanism – the corporate research lab – leads to a surge in material wealth like the world has never seen. How does a new nation, the United States, overtake its parent as the leader of the surging capitalist order? And what does it all mean in the lives of ordinary people? 

By John Biewen, with co-host Ellen McGirt. Interviews with Woody Holton, Robin Alario, Edward Baptist, and Brad DeLong. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

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Every summer B.A. Parker returns to Creswell, North Carolina, where her family still has a farm. But she's mostly avoided actually going to the nearby site where her ancestors were enslaved. This week, we revisit the second of two episodes, where Parker and her mom decide to go back to the plantation.

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Dr. Hasshan Batts talks with Kumari Ghafoor-Davis, a social worker, wife, and mother, about the importance of positive leadership, the damage of anti-Blackness, and the work of spreading love.

Economic change happens in a cultural context. We trace the tectonic shifts in the Western mind that made capitalism thinkable – in part through a look at two Enlightenment thinkers: Baruch Spinoza and Adam Smith. (The real Smith, not the one held up as the patron saint of unfettered capitalism.)

By John Biewen, with co-host Ellen McGirt. Interviews with Kate Rigby, Glory Liu, Steven Nadler, and Wendy Carlin. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

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In part one of two episodes, B.A. Parker meets people who, like her, are grappling with how to honor their enslaved ancestors. She asks herself: what kind of descendant does she want to be?

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From the voyages of Columbus and Vasco da Gama to colonial conquest and the Atlantic Slave Trade, to the privatization of land in western Europe: humanity’s turn toward the capitalist world we live in now.

By John Biewen, with co-host Ellen McGirt. Interviews with Jayati Ghosh, Jason Hickel, Jessica Moody, Charisse Burden-Stelly, Silvia Federici, and Eleanor Janega. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

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This week we're bringing you the first episode in a new series called Inheriting, created in collaboration with our friends at LAist Studios. In each episode, NPR's Emily Kwong sits down with Asian American and Pacific Islander families and explores how one event in history can ripple through generations.

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Join Simma the Inclusionist in this episode of "Everyday Conversations on Race" as she discusses how culture connects us. The episode features special guests Kaati Gaffney and Ashel Seasunz Eldridge, who have extensive musical backgrounds. Discover how music shapes their perspectives on race and inclusion. Tune in for insightful conversations and engaging discussions on the power of culture to bring people together.

 Click here to DONATE and support our podcast

Key Moments:

[00:00:47] Music as a Cultural Connector.
[00:05:01] Cultural unity and division.
[00:09:13] Growing up in diverse communities.
[00:17:01] Why talk about race?
[00:21:13] The power of music.
[00:25:00] Cultural Appropriation vs. Homage.
[00:29:20] Race and blood connections.
[00:34:08] Cultures Clashing.
[00:38:47] Cultural Identity and Heritage.
[00:41:39] Using culture for peace.
[00:46:41] Culture and birthing connection.
[00:49:56] Love overcoming fear.
[00:54:12] Breaking barriers through music.
[00:56:46] Authentic music preferences.

Culture can be a powerful tool for connecting people across different backgrounds and fostering understanding and empathy. In the podcast episode, Simma, Kaati, and Ashel provide examples of how sharing cultures can significantly role bring people together.

Kaati shared her experiences in the music industry, promoting reggae and blues music across the world. Music festivals serve as diverse communities where people from various backgrounds come together to enjoy music.  Both guests share personal examples of how music can be a universal language that can transcend race, and connect individuals on a deeper level. They both say that music, as a cultural expression, can bridge gaps and create shared experiences among people from different cultural backgrounds.

 Ashel told us a compelling story about using culture to connect and address conflicts. He described a musical event organized by a Jewish friend pre-October 7, to be held post-October 7, which was to include Hebrew songs. “My friend expressed anger and frustration about the situation in Israel and Palestine. Instead of dismissing his feelings, our community created a safe space for open dialogue and understanding. By incorporating Hebrew songs alongside Palestinian prayers at an event, we demonstrated how cultural elements can be used to facilitate conversations, build bridges, and promote reconciliation.”

 Kaati mentioned her involvement in the birthing community, with different cultural practices and beliefs. “The birthing process serves as a space where cultural traditions and values are honored, showcasing how cultural diversity can be celebrated and respected in various aspects of life.”

This episode of “Everyday Conversations on Race,” highlights how culture serves as a common ground for people to connect, share experiences, and foster empathy and understanding. By embracing cultural differences and engaging in meaningful conversations, individuals can use culture as a powerful tool to bridge divides and promote unity among diverse communities.

Guests Bio:

Ashel Seasunz Eldridge, Chicago born, living in Oakland by way of NY.  He has  West African/Blackfoot ancestry. Ashel has been working internationally with various shamanic practices since 2005.  His ceremonial leadership includes Dagara divinitory and ancestral healing, Japanese spiritual purification, and Galactic Language Activation/Soul Cleansing via Tian Gong.  He is Co-founder/Co-Director of Esphera, (umbrella for Essential Food and Medicine (EFAM), Solestial Church, and Earth Amplified, creating liberation through restoring ecosystems, regenerating communities, re-telling our stories, and remembering our divinity. The work spans from recovery support from addiction with the Oakland unhoused to indigenous international hip-hop to Elemental Activism: Rites of Repair (Tantra, Transformative Justice, Quantum Physics, and Divination)

Kaati Gaffney

Music Marketer since 1994 specializing in Blues and Reggae genresWe offer content on several platforms for fans— but also help festival promoters, bands and musicians reach those fans but also others in the industry.

Each Thursday, we also publish the e-publications jam-packed with latest CD and single releases, featured videos, industry news, contests, Roots Radio Airplay Charts, tour dates, and upcoming festivals!

Over the years, our company has morphed into a full-service, marketing and publicity company and we boast the largest reggae and blues databases in the world and several media platforms including a top-ranking website and social media pages with a half a million fans.

 

 Click here to DONATE and support our podcast

Simma Lieberman, The Inclusionist helps leaders create inclusive cultures. She is a consultant, speaker, and facilitator. Simma is the creator and host of the podcast, “Everyday Conversations on Race for Everyday People.”

Contact Simma@SimmaLieberman.com to get more information, book her as a speaker for your next event, help you become a more inclusive leader, or facilitate dialogues across differences.

Go to www.simmalieberman.com and www.raceconvo.com for more information

Simma is a member of and inspired by the global organization IAC (Inclusion Allies Coalition) 

 

Connect with me:

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Previous Episodes

Racial Disparities in Colorectal Cancer Diagnosis and Death Navigating the End of Racial Disparities in Healthcare Culture Connects Us Loved this episode?  Leave us a review and rating

To fully grasp capitalism, it helps to understand the system it replaced – and the most meaningful differences between feudalism and capitalism. We visit the British Isles of the Middle Ages.  

By John Biewen, with co-host Ellen McGirt. Interviews with Karen Dempsey, Ben Jervis, and Eleanor Janega. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. “Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

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Introduction to our 7th season: Capitalism. The world’s dominant economic system is on trial as it hasn’t been for at least half a century. Millions, young people especially, now see capitalism as the problem, not the solution. Others fear throwing out the baby with the bathwater. 

By John Biewen, with co-host Ellen McGirt. Interviews with John Fullerton, Cassandra Brooks and Charlene Brooks. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music.“Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

 

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Author Mike Curato wrote Flamer as a way to help young queer kids, like he once was, better understand and accept themselves. It was met with immediate praise and accolades — until it wasn't. When the book got caught up in a wave of Texas-based book bans, suddenly the narrative changed. And like so many books that address queer identity, Flamer quickly became a flashpoint in a long, messy culture war that tried to distort the nature of the book.

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The promise of "40 acres and a mule", is often thought of as a broken one. But it turns out, some freed people actually received land as reparations after the Civil War. And what happened to that land and the families it was given to is the subject of a new series, 40 Acres and a Lie, by our colleagues at Reveal and the Center for Public Integrity.

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As anti-trans legislation has ramped up, historian Jules Gill-Peterson turns the lens to the past in her book, A Short History of Trans Misogyny. This week, we talk about how panics around trans femininity are shaped by wider forces of colonialism, segregation and class interests.

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Dr. Hasshan Batts welcomes Kimberley Alexander, Executive Director of Moms of Black Boys United, to talk about the national organization's work and the fear Black moms feel for their sons every day.

Welcome to Season 7: Capitalism. The world's dominant economic system is on trial as it hasn't been for at least half a century. This season tells the story of capitalism -- how people with power built and shaped it over time. We'll also explore what to do now that many people see capitalism as the problem, not the solution. Produced by host/producer John Biewen with co-host Ellen McGirt and story editor Loretta Williams. From the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

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