Scene On Radio

In the decades after America’s founding and the establishment of the Constitution, did the nation get better, more just, more democratic? Or did it double down on violent conquest and exploitation?  

Reported, produced, written, and mixed by John Biewen, with series collaborator Chenjerai Kumanyika. The series editor is Loretta Williams. Interviews with Robin Alario, Edward Baptist, Kidada Williams, and Keri Leigh Merritt.

Music by Algiers, John Erik Kaada, Eric Neveux, and Lucas Biewen. Music consulting and production help from Joe Augustine of Narrative Music. 

In the summer of 1787, fifty-five men got together in Philadelphia to write a new Constitution for the United States, replacing the new nation’s original blueprint, the Articles of Confederation. But why, exactly? What problems were the framers trying to solve? Was the Constitution designed to advance democracy, or to rein it in?

By producer/host John Biewen with series collaborator Chenjerai Kumanyika. Interviews with Woody Holton, Dan Bullen, and Price Thomas. The series editor is Loretta Williams.

Music by Algiers, John Erik Kaada, Eric Neveux, and Lucas Biewen. Music consulting and production help from Joe Augustine of Narrative Music.

In the American Revolution, the men who revolted were among the wealthiest and most comfortable people in the colonies. What kind of revolution was it, anyway? Was it about a desire to establish democracy—or something else?

By producer/host John Biewen with series collaborator Chenjerai Kumanyika. Interviews with Davy Arch, Barbara Duncan, Rob Shenk, and Woody Holton. Edited by Loretta Williams.

Music by Algiers, John Erik Kaada, Eric Neveux, and Lucas Biewen. Music consulting and production help from Joe Augustine of Narrative Music.

Our season-long series will touch on concerns like authoritarianism, voter suppression and gerrymandering, foreign intervention, and the role of money in politics, but we’ll go much deeper, effectively retelling the story of the United States from its beginnings up to the present. Through field recordings and interviews with leading thinkers, we’ll tell under-told stories and explore critical questions like—How democratic was the U.S. ever meant to be, anyway? American democracy is clearly in crisis today, but . . . when was it not?Along the way, there’s a good chance that we’ll complicate, maybe upend, our listeners’ understanding of American history.

In our Season Three finale, co-hosts Celeste Headlee and John Biewen talk about where American culture goes from here, sexism-wise. And we hear from scholar Melvin Konner, who argues that we are in fact witnessing—and bringing about—“the end of male supremacy.”

Music by Alex Weston, and by Evgueni and Sacha Galperine.
Music and production help from Joe Augustine of Narrative Music.

Host John Biewen dips into the world of sports talk radio, where guys talk not just about sports but also about how to be a man in twenty-first-century America. What John finds is more complicated than he expected, with revelations both encouraging and sobering. With co-host Celeste Headlee and experts David Nylund and Terry Real.  

Music by Alex Weston, and by Evgueni and Sacha Galperine. Music and production help from Joe Augustine of Narrative Music.

Writer Ben James and his wife Oona are raising their sons in a progressive and “queer-friendly” New England town. They actively encourage the boys to be themselves, never mind those traditional gender norms around “masculinity” and “femininity.” All was well. Until the elder son, Huck, went to sixth grade. Story by Ben James, with hosts Celeste Headlee and John Biewen, and psychologist Terrence Real.

Music by Alex Weston, Evgueni and Sacha Galperine, Blue Dot Sessions, and Kevin MacLeod. Music and production help from Joe Augustine at Narrative Music.

Lewis Wallace, female-assigned at birth, wanted to transition in the direction of maleness—in some ways. He shifted his pronouns, had surgery, starting taking testosterone. None of that meant he wanted to embrace everything that our culture associates with “masculinity.” Story written and reported by Lewis Wallace, with co-hosts John Biewen and Celeste Headlee.

Music by Alex Weston, Evgueni and Sacha Galperine, and Kevin
MacLeod. Music and production help from Joe Augustine at Narrative Music.

American history—law, economics, culture—has built different notions of masculinity (and femininity) for people of varying races and ethnicities.  A trip through a century of pop culture and the stereotyped images that white supremacy has manufactured and attached to Asian and African American men. With scholars Tim Yu and Mark Anthony Neal and co-hosts John Biewen and Celeste Headlee.

Music by Alex Weston, Evgueni and Sacha Galperine. Music and production help from Joe Augustine at Narrative Music.

Several years after Janey was sexually assaulted by her former boyfriend, Mathew, she told some of her closest friends, and her mother, what Mathew had done. Janey was so troubled by her loved ones’ responses, or lack thereof, that she went back to them years later to record conversations about it all. In this episode: Janey’s story, and philosopher Kate Manne, who coined the term “himpathy” in her 2017 book, *Down Girl: The Logic of Misogyny. *With co-hosts John Biewen and Celeste Headlee.

To hear more of Janey Williams’ story and the conversations she had with friends, check out her podcast, "This Happened", available on most podcast apps and at thishappenedpodcast.com. 

Music by Alex Weston, Evgueni and Sacha Galperine, and Kevin MacLeod. Music and production help from Joe Augustine at Narrative Music.

Do nations fight wars because men are naturally violent? Or do societies condition men to embrace violence so they’ll fight the nation’s wars?

Along with co-hosts John Biewen and Celeste Headlee, this episode features reporting by Barry Lam of the Hi-Phi Nation podcast, with scholars Joshua Goldstein of American University, Tom Digby of Springfield College, and Graham Parsons of the United States Military Academy, aka West Point.

Music by Alex Weston, and Evgueni and Sacha Galperine. Music and production help from Joe Augustine at Narrative Music. Song fragment, “Men,” by Loudon Wainwright III.

The #MeToo Movement has shed a harsh light on sexual harassment in the workplace. Just how bad, and how pervasive, is sexism on the job in the U.S., from day-to-day expressions of disrespect all the way to rape? Spoiler: It’s bad.

Reported by Ibby Caputo. With researchers Hannah Riley Bowles of Harvard Kennedy School, Meg Bond of UMass Lowell, Peter Glick of Lawrence University, and Mily Treviño-Sauceda of Alianza Nacional de Campesinas.

Thanks to Tena Rubio for production support. Voiceover by Ruxandra Guidi.

Music by Alex Weston, Evgueni and Sacha Galperine, and Kevin MacLeod. Music and production help from Joe Augustine at Narrative Music.

The struggles against sexism and racism come together in the bodies, and the lives, of black women. Co-hosts Celeste Headlee and John Biewen look at the intersections between male dominance and white supremacy in the United States, and the movements to overcome them, from the 1800s through the 2016 presidential election. Guests include scholars Glenda Gilmore, Ashley Farmer, and Danielle McGuire.

Music by Alex Weston, and by Evgueni and Sacha Galperine. Music and production help from Joe Augustine at Narrative Music. 

A few hundred years ago, the great thinkers of the Enlightenment began to declare that “all men are created equal.” Some of them said that notion should include women, too. Why did those feminists—most of them men, by the way—lose the fight? How did the patriarchy survive the Enlightenment?

Co-hosts John Biewen and Celeste Headlee look into these questions, with historians Londa Schiebinger of Stanford and Toby Ditz of Johns Hopkins, and sociologist Lisa Wade of Occidental College.

Music by Alex Weston, and by Evgueni and Sacha Galperine. Music and production help from Joe Augustine at Narrative Music.

For millennia, Western culture (and most other cultures) declared that men and women were different sorts of humans—and, by the way, men were better. Is that claim not only wrong but straight-up backwards?

Co-hosts Celeste Headlee and John Biewen explore the current state of the nature-nurture gender debate, with help from Lisa Wade of Occidental College and Mel Konner of Emory University.  

Music by Alex Weston, and by Evgueni and Sacha Galperine.
Music and production help from Joe Augustine at Narrative Music.

Launching our Season 3 series, co-hosts John Biewen and Celeste Headlee look at the problems of male supremacy. And we visit Deep Time to explore the latest scholarship on how, when, and why men invented patriarchy.

Featuring Meg Conkey of UC-Berkeley, Mel Konner of Emory University, and Lisa Wade of Occidental College.

Music by Alex Weston, and by Evgueni and Sacha Galperine. Music and Production help from Joe Augustine at Narrative Music.

Scene on Radio opens its Season 3 series, MEN, with this preview. Host John Biewen introduces the series with series co-host Celeste Headlee.

Music Evgueni and Sacha Galperine. Theme music by Alex Weston. Music and production help from Joe Augustine at Narrative Music. 

A father turns on a recorder while tucking in his 7-year-old, having no idea he’s about to capture a poignant growing-up moment in his son’s life. (Advisory: This episode is not suitable for some young children.)

The concluding episode in our series, Seeing White. An exploration of solutions and responses to America’s deep history of white supremacy by host John Biewen, with Chenjerai Kumanyika, Robin DiAngelo, and William “Sandy” Darity, Jr.

When it comes to U.S. government programs and support earmarked for the benefit of particular racial groups, history is clear. White folks have received most of the goodies.

By John Biewen, with Deena Hayes-Greene of the Racial Equity Institute and recurring series partner Chenjerai Kumanyika.